The Poetry of Sir Thomas Wyatt - 507 Words

Sir Thomas Wyatt was born in the year 1503. The son of Sir Henry Wyatt and Anne Skinner, he went on to attend St. John’s College in Cambridge. He first took a place in the court of King Henry VIII in 1516. In the year 1520 he was married to Elizabeth Brooke at the age of seventeen. His son, of the same name, was born in the year 1521. Wyatt’s marriage to Elizabeth was miserable and the couple is believed to have been â€Å"estranged by the second half of the 1520s† (Burrow). Thomas Wyatt and Elizabeth Brooke were separated in 1525 when Wyatt accused his wife of adultery. Much of Sir Thomas Wyatt’s poetry is reflective of his love life. His personal relationships served as inspiration for a notable amount of his work. In his poem â€Å"Blame not my†¦show more content†¦The poem can be seen as a parable relating to Anne’s relationship with Henry VIII. When Wyatt speaks of the deer as the possession of the sovereign, not to be pursued by othe rs, he is accepting that Anne has been reserved for the king alone. Wyatt would have been forced to withdraw as a suitor after the King had shown interest in her. This is made evident when Wyatt says: â€Å"I leave off, therefore, / Since in a net I seek to hold the wind† (7-8). He realizes the impossibility of being with Anne. It is a clever description of Henry’s possessiveness and Wyatt’s disappointment and feelings of helplessness under the circumstances. In 1536, Anne Boleyn was charged with adultery. Thomas Wyatt, along with four others accused of being romantically linked to the queen, were imprisoned. It was widely believed that Wyatt was indeed her lover. Another lyricist, Mark Smeaton, was among the accused in the same year so this suggests â€Å"that the queen had a circle of lyrists close enough to her to make a king claim that her intimacy with these men was sexual† (Burrows). However, Wyatt was released shortly after while the other accused lovers along with the queen were executed. Anne’s death and his imprisonment are said to have changed him. When he was released â€Å"[t]he fashionable courtier and the writer of ballads was superseded by the hard-working diplomat, by theShow MoreRelatedElizabethan Poetry Essay582 Words   |  3 Pagesthis was manifested in the poetry of the age. The Elizabethan age was characterized by an extreme spirit of adventure, aestheticism and materialism which became the characteristic features of Elizabethan poetry. Many poets displayed their skill in versification during this time and England came to be called The Nest Of Singing Birds. Wyatt and Surrey In 1557 Tottel printed A Miscellany of Uncertain Authors commonly known as Tottels Miscellany. Sir Thomas Wyatt (1503 - 42) and Henry HowardRead MoreThe Court and Sir Thomas Wyatt1386 Words   |  6 PagesThe Court and Sir Thomas Wyatt During the 16th Century, English poetry was dominated and institutionalised by the Court. Because it excited an intensity that indicates a rare concentration of power and cultural dominance, the Court was primarily responsible for the popularity of the poets who emerged from it. Sir Thomas Wyatt, one of a multitude of the so-called Court poets of this time period, not only changed the way his society saw poetry through his adaptations of the PetrarchanRead MoreAnalysis of Petrachs Poetry: a Translation of Italian Poem Rime 1401561 Words   |  7 PagesLiterary works have certain meanings displayed throughout their entirety. A single literary work however can be interpreted in a variety of ways. Petrarch whose poetry was about the idealistic approach to love, caused for several Renaissance writers to revisit them and translate them to represent different meanings. Basically, Sir Thomas Wyatt in his poem The Long Love That in My Thought Doth Harbour and Henry Howard, Earl of Surrey in his poem Love That Doth Reign and Live Within My Thought, bothRead MoreCharles Baudelaire And Victor Hugo976 Words   |  4 PagesEnglish romantic poetry is dense and divided into two eras; William Wordsworth, Samuel Taylor Coleridge and William Blake wrote in the first half of the romantic period and Lord Byron, Percy Bysshe Shelley and John Keats wrote in the second half. The Romantic Era is known for the development in poetry, from metaphysical approaches to the simple use of the language, the romantic poems were the reaction to the restraints of poetic themes; the independence and the progress of the romantic poetry lead to theRead MoreA Brief Look at Sir Thomas Wyatt Essay877 Words   |  4 Pagesreach them. This explains a part of Sir Thomas Wyatt’s life. He attended St. Johns College, University of Cambridge. Wyatt also carried out several foreign missions. He also served various offices at home. Wyatt also had many court appearances in his life. He was also famous for his poem â€Å"Whose List to Hunt.† Being the son of Henry and Anne Wyatt, Sir Thomas Wyatt was born at Allington Castle in Kent in 1503. At the age of 17 he named the daughter of Lord Cabham. Wyatt attended St. John’s College, UniversityRead MorePetrarch and Wyatt Compared Essay914 Words   |  4 PagesIn the world of poetry, imitation occurs at every turn. Many poets will take an original form of poetry and copy the style. This can be said about Sir Thomas Wyatt who attempts to mimic Petrarchs form; when the symbols, tone, images, rhyme, and setting in Wyatts poem Whoso list to hunt are compared to Petrarchs Rime 190 it becomes apparent that he failed to embody the essence of Petrarch in his writing. Symbolism plays a large role in most poems. A pure-white doe in an emerald glade/AppearedRead MoreElizabethan Poetry941 Words   |  4 PagesElizabethan Poetry I Drama dominates our syllabus but the Renaissance was a Golden Age not just for English drama, but also for English poetry. But what was English poetry? George Puttenham’s The Arte of English Poesie (1589) and Sir Philip Sidney’s The Defense of Poesie (1595): early attempts to think about English poetry as a distinct national tradition. Puttenham and Sidney were concerned to build a canon and help shape English poetry into a tradition capable of rivalling more prestigiousRead More Comparing The Long Love That in My Thought Doth Harbor and The Flea891 Words   |  4 PagesDonne’s The Fleanbsp;nbsp;nbsp; nbsp;nbsp;nbsp; Every century has its own poetry; poetry has its own personality and aspects, especially love poems.nbsp; In the sixteenth century, poems about love were more about the court than the lover.nbsp; In the next century (the seventeenth), the poems of love were more about courting the lover.nbsp; An author from the sixteenth century, Sir Thomas Wyatt the Elder, is well known for his lyrics pertaining to love.nbsp; An author fromRead MoreWhat a Writer Needs to Capture Historical Event770 Words   |  3 Pages16th centuries. The Renaissance gets its name from the French word ‘rebirth’, which is what the Renaissance is seen as by bringing back the great ancient Greek and Roman works. From the lesser known writers such as Thomas Decker and Samuel Daniel to the more famous such as Sir Thomas Wyatt and William Shakespeare, all the writers contributed greatly to the literary achievements of the Renaissance. It is important to understand what the Renaissance was. After the fall of the Roman Empire in 476 A.DRead MoreSir Thomas Wyatt: Love Addiction Essay908 Words   |  4 Pages Sir Thomas Wyatt: Love Addiction Whether you live in the twenty-first century or lived the early sixteenth century, the idea of love is the same. Falling in love is easy, while recovering from a broken heart is much more difficult. According to The Norton Anthology of Poetry, Sir Thomas Wyatt was a well-educated courtier and diplomat, spending much of his adult life abroad, until imprisoned for treason. After analyzing Wyatt’s poetic work, knowing

Essay on Medias Portrayl Of Women - 620 Words

Media in today’s society is constantly degrading women and sending negative messages about the ways in which women should be treated; women are becoming objectified in the sense that they are seen as objects with little value. The media, which seems to endlessly show women as sexual objects, limits their potential and damages their sense of self worth. More often than not the media depicts the way people go about their daily life. People look at the media to determine how they should dress, act and in some cases even how they should perform sexually. â€Å"†¦there are the fashion magazines that focus on beauty, attracting and satisfying men, self-improvement, and (occasionally) work and politics. Examples are Vogue (emphasizing fashion†¦show more content†¦Just like in the song Sexy Bitch when Akon states â€Å"Im trying to find the words to describe this girl without being disrespectful† many men today are having the same problem. It is not too often that women hear the words beautiful, gorgeous, or lovely, instead they hear hot, sexy, or somkin’. This is shown again in Akon’s song when his whole chorus is â€Å"Damn Yous a sexy bitch, a sexy bitch.† Many music videos have women being â€Å"portrayed as ravenous women who want sex at all times.† (Dreamworlds 3) They send out the me ssage that women are just there as sexual objects and are nothing more than â€Å"females seeking male attention.† (Dreamworlds 3) The music video’s always show women hanging off of men, and doing anything they have to in order to get attention. â€Å"Most music videos are fairly predictable in the ways they sexualize women, sometimes in violent ways. As in movies women are generally present in music videos to be looked at.† (Shaw and Lee, p507) It is examples like these that are damaging to a women’s sense of self worth. Although some women may fall into this trap and accept that they are looked at as sexual objects for men, many will not. It is a disgrace that the media can have such a damaging effect on a women’s sense of self worth. Society as a whole watches these videos and listens to these songs, and if this is the way that society is portraying women, then this is the way women are going to look at themselves. Although the media serves as the centralShow MoreRelatedThe Media s Portrayal Of Asian Americans1218 Words   |  5 Pagestowards another class of people and stereotype them in positive, but mostly negative ways. One population that has played victim to the repercussions of the mass media is Asian Americans, who have been oppressed and deemed a minority by Americans. The media’s portrayal of Asian Americans has had detrimental effects on one’s opportunities, performance, and their perception of the world. The mass media consists of any means of communication that has the ability to reach a large amount of people. The term

The suffering in Frankenstein is undeservered free essay sample

â€Å"The suffering in Frankenstein is undeserved† How far and in what ways do you agree with this view of Shelley’s presentation of suffering? Mary Shelley’s Frankenstein presents suffering through a variety of different mediums, however whether or not that suffering is deserved varies depending on the construction of the character. The novel was written in 1818 in the latter stages of the Gothic literary genre; Shelley incorporates the gothic theme when enabling two types of character – those who are innocent victims and those which are responsible for their own predicament. In creating and then running from his creation, Victor has behaved with culpable irresponsibility, and thus provoked the Creature’s revenge. Victor can therefore be seen as deserving of the suffering brought his way, due to his irreparable damage as a result of his initial neglect of ‘the monster’. Nonetheless, one could deduce that it is the responsibility of the Creature to recognise his own destructive actions. Shelley creates Victor’s first person recollecting narration to be arrogant and selfish in nature. In chapters 1 through 3, Victor is shown to be overly content: â€Å"no human being could have passed a happier childhood than myself†, he has an â€Å"eager desire to learn† which fuels his satisfaction. Such contrast between his gratification before the creation of ‘the monster’, and his constant suffering which is imposed after, emphasises the mistake which was â€Å"trying to play god†:   Ã¢â‚¬Å"When man tries to play God, he messes up the process†¦When Frankenstein made the daemon, he created something that only brought chaos upon his life† (Chris Jones). Victor is the sole creator of all the anguish and thus holds undivided responsibility; this is ultimately presented when the monster refers to him as â€Å"my tyrant and tormenter†. Fred Botting writes that â€Å"[the monster’s] subsequent violence displays the equally human interrogation of human characteristics that revolted him† consequently it is apparent, that without Victor’s hubristic desires, all destruction could have been avoided. Moreover, Victor’s narcissistic manner restricts the reader from sympathising with him, due to his inability to take full responsibility for his actions: â€Å"I believed myself to possess a natural talent†. Victor’s â€Å"impatient thirst for sympathy† makes it apparent that he is entirely ignorant to his accountability in the matter. â€Å"I am alone and miserable, only someone as ugly as I am could love me†, instead of accepting the monster’s plea, Victor tries to do right but preventing what he feels to be the potential for further danger which is encompassed with the creation of another. By doing so, Victor sacrifices his happiness alongside the lives of his dearest. In addition, his disregard for his own creation again highlights his narcissism: â€Å"I have endured toil and misery†. We hear the monster’s voice through Victor’s narration, thus presenting to the reader that he is fully aware of the suffering he has caused however actively choses to abandon the request with compete disregard to the feelings of ‘the monster’: â€Å"a race of devils would be propagated upon the earth†. Instead of protecting and nurturing his creation Victor shies away from responsibility, presenting the superficial reasoning he has for inflicting incessant suffering on ‘the monster’. By leaving him in isolation, Victor’s own suffering is vindicated. From a psychoanalytical perspective of the novel, ‘the monster’ can been seen as the ultimate representation of Frankenstein: â€Å"Victor Frankenstein’s evident longing for another, despite his close friendship with Henry Clerval and his betrothal to Elizabeth, leads to the creation of a being who becomes the inadequate other which is in reality Victor himself† (Kestner quoted in Botting, 1995: 69). This idea also relates to the narcissus complex, as Victor denies his flaws and instead projects them onto his creation. From this it is evident that Victor’s suffering parallels with that of ‘the monster’, as in both cases it is the result of abandonment – the monster is refused into society and Victor loses all those dearest to him: â€Å"that I might remain alone†. Even so, it may be seen that the suffering of Victor’s is more justified due to his central role in creating â€Å"the offspring of solitude and delirium†. Conversely, it can be argued that ‘the monster’ is scientific research, and so was created to suffice Victor’s curiosity. He was unaware of what came to be and so cannot be blamed for society’s inability to accept such abnormality. However, Mary Shelley places emphasis on Victor’s â€Å"fervent longing to penetrate the secrets of nature† in order to accentuate his violation of natural boundaries. She constructs this rape metaphor in order to depict a woman (representing nature), resisting his attempts to violate her. Victor is therefore presented as fully conscious of his attempt to â€Å"pour a torrent of light into our dark world†. From a feminist perspective it can be seen that the female characters are represented as passive, vulnerable and essentially in need of rescuing. Their suffering may therefore be considered unwarranted due to their innocuous presentation. The lack of attention Victor pays Elizabeth causes her to suffer emotionally due to his distance, hence permitting her loneliness: â€Å"tortured as I have been by anxious suspense†, suggesting Elizabeth as innocently distressed due to Victor’s abandonment. Furthermore, this undeserved suffering due to the physical neglect Victor pays her – as a result of his egotistic manner – is further emphasised in Danny Boyle’s interpretation of Shelley’s novel. The production portrays the obvious idea that Victor could have created life with Elizabeth â€Å"the usual way† (by having a child), however rejects this as he devotes himself to the creation of an artificial being. His hubristic qualities outline his obsession with equating to the level of god, through his avid cravings for biological discovery: â€Å"natural philosophy is the genius that has regulate my fate†. Such rejection of childbirth reflects that of the traumatic experiences Shelley underwent in her lifetime. She lost three of her children prematurely before giving birth to her only surviving son. Indeed, the distressing loss she experienced first-hand may have been the drive behind Victor’s fervent desire for finding other ways to create life; in this case bestowing â€Å"animation upon lifeless matter†. Accordingly, the suffering of Elizabeth is therefore undeserved as it is the result of Victor’s narcissistic qualities and irrational zeal: â€Å"my passions vehement†. The construction of the minor characters that become the consequences of Victor’s creation, together present the undeserved suffering in Frankenstein. William, Justine, Clerval and Elizabeth all die at the hand of Victor’s creation. Their combined suffering is undeserved as they are simply the repercussion of Victors â€Å"ultimate crime against God† [David Punter]. Their deaths could be seen to highlight Victor’s deserved suffering, as although the consequences of his â€Å"crime† are presented, he still rejects his accountability. â€Å"They were dead, and I lived; their murderer also lived†, Shelley uses the conjunctive â€Å"also† to separate â€Å"their murderer† from him. Victor describes both him and ‘the monster’ identically as living, however purposely differentiates between the two through removing himself from blame. Shelley presents different types of suffering within the minor characters. Whilst subjects like Clerval and William suffer physical pain from a brutal murder, Justine on the other hand, suffers through injustice and false accusation; an unintended exile as a result of Victor’s narcissistic quality, which is the reason he cannot admit blame for the events at hand, â€Å"such declarations†¦would not have exculpated her who suffered through me†. His assertion of pity immediately relates back to himself, presenting his need for self-justification: â€Å"poor unhappy Justine, was as innocent as I†. Still, Victor does recognise that the events were â€Å"a result of [his] curiosity and lawless devices† and describes the events as a â€Å"wretched mockery of justice†. Nonetheless, regardless of his internal confession: â€Å"I am the cause of this – I murdered her†, the containment of these thoughts is ultimately the cause of her death. The superficial neglect society has for the creature is pivotal to the suffering he endures, as well as that which circulates the novel. The reader’s first exposition of the ‘monster’s’ suffering in the initial stages of his narration, permit a sense of empathy: â€Å"I felt cold†¦half-frightened†¦finding myself so desolate†. His suffering is undeserved due to his innocence. With the neglect of Victor, he had no mother figure to raise and nurture him, and as a result one must ask from an ethical perspective, is he then accountable for his unmonitored actions. Mary Shelley explores this debate most likely to reflect her primary experiences with a motherless childhood. In contrast, when the novel switches back to Victor’s narration, the monster’s suffering may begin to be seen as rational due to his vice acts of murder, permitting him to lose all sense of innocence and instead fulfil the stereotype set in motion of a â€Å"monster†. â€Å"Traditionally monsters were interpreted as signs of divine anger or portents of impending disasters† [Yorknotes advanced, Frankenstein]. Shelley forces the reader to question what a â€Å"monster† really is when society’s leaders decide to exclude Justine, causing Elizabeth to declare how in their violence and cruelty, people appear to be â€Å"monsters thirsting for each other’s blood†. The significance of which allows the reader to deliberate whether ‘the monster’ is worthy of his title, and thus either permitting his suffering as deserved or proclaiming it as unjustified. The suffering of the De Lacey family is somewhat deserved as a result of their responsibility for the unkind treatment of the Creature, â€Å"their horror and consternation on beholding me†. It could be argued that their rejection of the monster fuels his anger, thus enabling him to inflict pain on is creator – due to his resentment of him. Their suffering could be seen as justified as they are the foundation which drove ‘the monster’ to become vengeful: â€Å"I had feelings of affection, and they were requited by detestation and scorn†. Certainly, it can be argued that the monstrous acts underwent by the creature, and society’s unjust negligence for the being as his sole rejection is based on his physical appearance alone (presented primarily through the De Lacey family) are acts which are unlawful and thus deserving of the suffering they permit. However, in actuality, only the promethean endeavourer, Victor Frankenstein, can obtain fully deserved suffering due to the hubristic drive behind his prying. At the beginning of the novel, victor appears to be a brilliant young man with idealistic and somewhat naive ambitions. â€Å"A new species would bless [him] as its creator and source; many happy and excellent natures would owe their being to [him]†. However he becomes arrogant with his knowledge of life and death, â€Å"life and death appeared to [him] ideal bounds, which [he] should first break through†, and thus pays dearly for his carelessness in exercising this power. As summarised by the quote â€Å"not in deed, but in effect, was the true murder†, it is evident that Victor holds exclusive responsibility for all suffering inflicted.